Brandon,brandon wrote:Thanks, TJ, for putting out there what everyone was thinking.
I'll kick things back off with a teapot I acquired recently.
Clay: fine purple ore, low sand content
Size: Usable volume I'd place around 100ml
Use: asamushi sencha (large leaf)
This teapot was made quite some time ago in Yixing for export to Japan. It is a highly suitable utensil for Senchado. The outer wall is thick, but there is a lip inside that is masterfully integrated, to keep tea going up against the lid and dripping out. There is a fine (for the period) multi hole flat filter. Effect of the clay seems superior to my Tokoname.
How can you tell this was made in Yixing for export?