I have a Yixing tea-set that I would like to learn more about. I believe it is a unique set, but I am not certain of that. I know a little of its history, that this tea-set was taken to the 1926 Philadelphia Sesquicentenial Exposition, where it was awarded the Silver Medal. The Gold was won by Cheng Shou Zhen (1957-1939) with a traditional teapot (as far as I know). This set was then brought to the Yixing Ceramics Museum in Jiangsu Province on July 1, 1927, where it remained until sometime in 1982 or 1983. The information above was on a little sign on the tea-set in that museum, and was confirmed by the museum curator in the early Eighties. The set artfully represents the cultural diffusion of European Art Deco forms to China, and their union with Chinese materials, craftsmanship, and design motifs -- all just before the Guomintang-Communist turmoil that intensified in the Shanghai region around 1927.
The tea-set's presentation box has an inscription (very roughly translated):
The set consists of the fitted presentation box, the teapot itself (approximately 600 ml in volume) with fitted lid with breathe-hole, four cups, and four saucers, all in dark brown burnished clay. The design form is is basically a rounded diamond cross-section, with an inlaid band of red and yellow clays in an intersecting diamond pattern at the top of the the teapot and the bottom of the cups. The workmanship is beyond first-rate throughout. All components are stamped on the bottom with a four-character chop (Tien Mei Tsa Chu). The tea-set is unused. I have higher-resolution and more-detailed photos for those who wish.Introduction to Beautiful Sword Tea Set (Tien Mei Tsa Chu)
Made by Liu Chien Pin
The philosophy of making this tea-set has existed for centuries. After years of trial and error, the person who created this set found a method to fuse three colors of clay -- black, earth-red, and yellow.
The unique learning of masters has combined an ancient Chinese design motif, techniques of making, and unique modern sculpted form. Because of uniqueness of its design and making, its use will bring different meaning to the flavors from the three kinds of clay.
I am trying to find a person who will be able to help me learn more about this tea-set (is it one-of-a-kind?) and its maker (where and when did he work, what other accomplishments did he have, ...), or direct me to a person who can.
I am also interested in the market for such a tea-set. What might it be worth to a collector, and how might I reach potential purchasers?
Thanks,
Alexander