Dec 27th, '08, 03:07
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Q's bout my new Yixing tea cup

by internet_jen » Dec 27th, '08, 03:07

So for Christmas my mom got me this cup and a tin of Formosa Tung-Ting Jade Oolong from Upton tea.

The jade oolong has an oxidation of 18%, since this is the tea I started this cup with, should I not use darker oolongs? I have a housemate who will be taking pottery next quarter and is already excited about making tea pots :)

Also, all the other yixing vessels I have seen have not been all coffee cup look'n like mine. Should I call shenanigans? It was purchased from Plymouth Tea Co as far as I can tell from the box she gave it to me in, but they don't seem to have it listed on their website.

And googling "guide to oolong" doesn't give me any awesome tea sites. Any recommendations? I am super into specialty coffee (I am from Seattle), hand crafted beer (again Seattle). I have had a good intro to tea, I took an art history class on Chanoyu and the Wabi Aesthetic and practiced tea in an authentic Japanese Tea Garden! I don't really know anything about China, its regions, nor do I speak any Chinese. So I need to establish a good lexicon. Reading forum threads is kind of incoherent and unstructured.

The cup:
Image

Image

Image

Anyone recognize the stamp on the bottom?

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Dec 27th, '08, 06:58
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by Herb_Master » Dec 27th, '08, 06:58

1. The first thing to know about Oolong is that it can be oxidised any where from 15% / 20% up to 75% / 80% giving you greener oolongs not far removed from green tea or much fuller Oolongs almost like black tea.

2. Additionally , although Oolong canm also be found from India, Vietnam, Korea and a few other places, the vast majority of Oolong comes from just 4 places

North Fujian (Min Bei) - Wuyi Mountains [and generally inferior, though still good as you move outwards from the centre of the highly prized scenic area of Wuyi to the rest of the North Fujian (usually darker, long leaves and robuster brews)

South Fujian (Min Nan) - Anxi County [and a few other places, there is a good Fou Shou from outside Anxi] (usually lighter and grassier with the greener leaves frequently rolled into little pellets)

Guangdong - specifically the Feng Huang (Phoenix) mountain area. These have darker, slightly twisted leaves and if called Dan Cong are at the top end of their teas. Dan Cong (Single Bush) means that all the leaves have been taken from a tea Tree of the same varietal (often even just one individual Tree) And surprisingly without any addition at all during processing these teas are likened to the expressive fragrance (Xiang) they exhibit so are given names of the fragrance so 'Xin Reng Xiang' means 'Almond Blossom Fragrance', 'Yu Lan xiang' means 'Magnolia Blosson Fragrance'.

Taiwan - the island of Formosa lies just offshore from Fujian and imported the bushes and skills from From Fujian a few centuries ago, but continued to improve on the varieties and production techniques there are many different high quality Oolongs from here - in the north they may favour the North Fujian style but generally they tend to mimic South Fujian styles and you will find the leaves greener and rolled into pellets or other less than fully extended leaf forms. Though I have used the word "mimic" above the Taiwanese produce very high quality oolongs in a way that has evolved to become their own signature. The other interesting Oolong from Taiwan is bao Zhong or Pouchong which is so lightly Oxidised it is almost dropping out of the Oolong category towards Green Tea.

3. In addition to oxidising, the the tea leaves need roasting, and the level of roasting varies greatly within all the regions according to the dictat of individual tea makers. Some decades ago the general trend was for fuller roasting (sometimes called Classic or Traditional) the trend though has been to make lighter roastings - you need to find a vendor that describes the tea sufficiently for you to know what you are getting roast wise.

4. The 2 Stand out names among Oolongs are Da Hong Pao (Big Red Robe) a fuller darker brew from North Fujian and Tie Guang Yin (Iron Goddess of Mercy) A lighter greener brew from South Fujian (and Taiwan). Because they are so famous they are labelled as such by many, many, many vendors - the really good ones cost a lot of money, some cheaper ones are very good also BUT there are a lot of mislabelled packages available which contain inferior leaves, or good leaves cut with a lot of other leaves, or even different leaves altogether. So choose from a trusted source, or start by exploring some of the countless others.

5. Varietals are a key element in the understanding and enjoyment of Oolongs, but many vendors create their own fanciful signature names and don't tell you which varietals are involved - this is fine if you find a tea that you like and are content to repeat buy, but will not enhance your search for Oolong knowledge.

The older the tree the more likely the roots are getting better minerals to feed the leaves - an old bush is called 'Lao Cong'

There are many many more things to learn about Oolong, why not post a question or 2 in the oolong forum.
Best wishes from Cheshire

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Dec 27th, '08, 11:28
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by gingkoseto » Dec 27th, '08, 11:28

Oh, I recognize CCCI on your cup. I have a CCCI teapot. It looks nice and technically well made, but it has very smooth surface. It looks in yixing style and like yixing from a distance away, but in close distance, it looks like ceramic in yixing color. And it feels almost like glass. Your cup's texture looks similar to my pot. But overall I think both your cup and my pot are nice and usable as pretty tea ware. The texture, however, is not typical of yixing clay.

I found CCCI website by googling. I also heard (from Edkrueger I think :P) CCCI used to make some poor quality slip cast pots. But your cup looks pretty nice. My pot looks very well made too. They are still slip cast (made from matrix) though. so on your cup and my pot, the "hand made in China" is not true. But since it's a company that can be located and tracked, I guess the sanitary level of their material is safe. I heard slip cast ware can look nice or poor, it mainly depends on how good the matrix is and whether the matrix is new or old. Your cup looks like a high quality slip cast, so enjoy it anyway. Its texture may not be typical of yixing and may feel as smooth as glass. Then for now you don't need to think about using it for one tea or different kinds, because the texture is not that porous as typical yixing to retain tea.
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Dec 27th, '08, 13:12
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by ABx » Dec 27th, '08, 13:12

Hehe, I suspect that Herb_Master may have jumped a bit ahead of you, but he's right that you might want to post a question or two in the Oolong forum - you are sure to get any info you want there. I'll be happy to post myself - I would here but it would help more people, and you're sure to get more complete answers, there. Don't worry, not everyone's answers will be so technical :)

For a start, however, there is a Chinese tea term translator here:
http://www.panix.com/~perin/babelcarp.html - this also includes a lot of Taiwanese stuff too, so it should have just about anything you might need to translate in regards to oolong :)

I can't really add much to gingko's post other than to say that even if it were a concern, one cup wouldn't lock you in to one type of tea. But yeah, if it's as smooth as glass, rather than a smooth unglazed clay, then you probably don't have anything to worry about; it's more likely just a matte glaze that looks like yixing. It's a beautiful cup, though. :) Do you know where it's from?

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