Sadly I've been having issues with that little black pot.

It has a faint clay-smell that I thought I'd gotten rid of... but... no...it's back. It's not a strong one at all, and I can't taste it's impact on the tea. But, I'm glad that I hav another option for my aged puerh (also bought from sample tea, you get what you pay for there. The $40 little black pot it's worth just that much and no more-- my more expensive $120 pot from them, however, is
perfect. In fact, I'm buying a 2nd one in a larger size.)
In other news... After doing all this research on the history of the tree-stump yixing (see this thread:
http://www.teachat.com/viewtopic.php?f=36&t=18526) I really wanted to own one so I searched high and low for a nice small one and this is what I found:
It's about 90ml, and very simple. Today I stumbled on to another fact about this history of this style. During worlds fairs early in the 20th century tree-stump yixings were a staple item at the "China" pavilion.
But to make them appeal to western sensibilities glaze was added.
In my previous thread I said that this was a a trait of exports to the
British, but the world's fair connection (starting with paris) makes it all make more sense.
It also explains why if you look at your grandma's house she might have one of these even if she's never been to China!
I'm now doing research in the older style "gong chun" -- I find these histories fascinating. How a simple household item can hold so much meaning.
Also, for the collectors and lovers of shui ping I'm starting to suspect that contemporary potters shun this style because it reminds them of the Cultural Revolution when creativity was really shut down at the yixing factory 1. To us it's a simple functional style, but maybe it means something more-- I have a poster of "100 contemporary Yixing Teapots" and among them there is so much diversity, but old styles are there too: tree stump, and simple styles like "dragon's egg" and "flat" -- but not one of the pots on the poster is shui ping hu. Coincidence?