chrl42 wrote:I dunno the correct datas of NGT, I mean..who cares

I don't really like the clay cos it doesn't play well with Yancha and lacks porosity.
But usually F1 was well-named to keep the previous mined clays stored for long..Yixing clay usually needs a decade to store before using for making teapot.
its ok not to like something definitely, well, even zhuni lacks porosity unless underfired. but the informations need to be clarified
would you mean to erode for 10 years or to store for 10 years? given the production numbers of yixing F1 and how exponential it was, it would be hard to think that 10 years ago they had planned the clay quantity for the ongoing production 10 years after.. this was obviously reflected in 60s hongni where fine silvery mica donts are not visible to the naked eye usually, neither was it apparent in the 60s qing shuinis, and only when production went up, the clay was less and less "ripe", as seen in mid 70s to 80s wares.
For Zhuni relations with NGT..it's not something to confirm without actual interviewing with the clay producer..and also is the hardest part when studying Yixing clay
apart from yixing kuang ye, whom would be the other clay producers for F1? if you know who, and where to ask/interview, let me know, i'll contact some of the regular yixing visitors to see if they can dig up more info.
chrl42 wrote:According to Zhu Ze-wei's book, F1 had several mines during the early days except for HLS 1~5 mines..early Hongnis are sorta denser to recent Hongni and that could have come from Zhaozhaung mines and could have been felt as sorta Zhuni-like. Who knows, someone might have added a kaolin to Yixing clay to play in slipcast, as kaolin naturally gets more crystallized than Yixing clay..but my feeling is NGT seems more than just finely seived Hongni..that kind of weight and texture is so somewhat special..
in the below mentioned, there was a paragraph from Dr Lu, that had mentioned that the current more concrete theory on NGT is that it is a unique strata that was mined during the period of end 70s to early 80s, and was seldom/if not never re-discovered, not so much of a blend. The demand for niangao type of clay pots is still there, if a blend like pin-zi, te-pin, hei-pin, who wouldnt want to replicate niangao again? if it does contain zhu-ni, it doesnt seem to shrink that much, and at the same time is way more durable, not cracking nor busting as easily as zhuni. have you seen examples of slip-casted nian-gao pots? i've yet to see one but i would love to if you could point me to some