Here is an older Chosen-Garatsu, or Korean Karatsu chawan. This bowl is from around the second half of the 19th century, but I don't let that stop me from using it!




Fuyou wrote:Be aware that one of the outcomes of chronic Teaware Acquisition Disorder is the creation of a mini-museum.
This is very clearly a grave case. You could already be beyond hope!lkj23 wrote:My TAD have make me call this morning to the Ceramics School of Valencia to enroll in a course
debunix wrote:This is very clearly a grave case. You could already be beyond hope!lkj23 wrote:My TAD have make me call this morning to the Ceramics School of Valencia to enroll in a course
How much did this cost you? I remember seeing exactly the same one at Yixing No.1 Factory.Tekoppen wrote:Hi! Some requent aquisitions of mine
Yixingish, pretty cool tea set with leaf-and-insect theme
http://texteromte.wordpress.com/2011/05 ... -teservis/
David R. wrote:An incredible Yoshiki kyusu. Congrats !
oak wrote: It's beautiful¡
oak wrote:Adam, I like the Hagi Project.
What a gorgeous chawan--normally I'm not all that fond of chawan with an uneven lip, but that one just seems to flow beautifully.Fuyou wrote:Be aware that one of the outcomes of chronic Teaware Acquisition Disorder is the creation of a mini-museum.
Here is an older Chosen-Garatsu, or Korean Karatsu chawan. This bowl is from around the second half of the 19th century, but I don't let that stop me from using it!
Totally, the teapot, four cups and a teatray costed me less than 400 Swedish crowns, equal to 60 dollars. I bougth the set on Tradera, a Swedish equivalent to Ebay.tieguanyinfan wrote:How much did this cost you? I remember seeing exactly the same one at Yixing No.1 Factory.Tekoppen wrote:Hi! Some requent aquisitions of mine
Yixingish, pretty cool tea set with leaf-and-insect theme
http://texteromte.wordpress.com/2011/05 ... -teservis/
TBH, 70% of the cup size for me is based upon mood. 30% is based on the tea. Sometimes I feel like a larger wan, sometimes a guinomi.oak wrote:Chip has many different tea cups, and with different sizes. Could anyone tell me when to use a size and when another? or where I could read about this issue?. Thank you.
Here is my new tea pot:debunix wrote:Sometimes it goes the other way round for me--want to use a particular cup and need to drink the right tea for that cup, e.g., not hot-brewed puerh in large deep thin-walled Hagi.....but mostly it is mood, whim, what have you.Chip wrote:TBH, 70% of the cup size for me is based upon mood. 30% is based on the tea. Sometimes I feel like a larger wan, sometimes a guinomi.
I never know til after I pick the tea, the pot ... and then decide on cup(s).
The face is the side with the most aesthetic interest. In most cases, it's pretty easy to determine which side is the face. Whether through painted decorations or though natural occurances, one particular feature will generally jump out as the face. Determining the face becomes hard with bowls that are uniform. In those cases, the owner of the bowl will carefully examine it and determine which side they feel should be the face. So, in short, it's up to the owner of the bowl, or the host of the tea ceremony.Hopeofda... wrote:Fuyou wrote:Odd question for the resident chawan/matcha experts--in reading about tea ceremony, I noticed that one side of the bowl is designated as the shomen (face) or front of the bowl, and that you're supposed to drink from the opposite side. Is there any particular aesthetic or rules that go into deciding which side should be the face, as there are in bonsai? Or is it entirely up to the preference of the owner?