Jan 25th, '12, 09:58
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by Tead Off » Jan 25th, '12, 09:58
brandon wrote:Thanks, TJ, for putting out there what everyone was thinking.
I'll kick things back off with a teapot I acquired recently.
Clay: fine purple ore, low sand content
Size: Usable volume I'd place around 100ml
Use: asamushi sencha (large leaf)
This teapot was made quite some time ago in Yixing for export to Japan. It is a highly suitable utensil for Senchado. The outer wall is thick, but there is a lip inside that is masterfully integrated, to keep tea going up against the lid and dripping out. There is a fine (for the period) multi hole flat filter. Effect of the clay seems superior to my Tokoname.
Brandon,
How can you tell this was made in Yixing for export?
Jan 25th, '12, 10:38
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by brandon » Jan 25th, '12, 10:38
Tead Off wrote:
Brandon,
How can you tell this was made in Yixing for export?
Thanks for your interest. After feeling the clay, pouring hot water over it, seasoning it with some tea, and appreciating it next to other purple clay Yixing pots, I found the origin of this pot to be quite clear. I've seen some other Yixing pots for sencha recently that bear the same shape and carving on the knob. The other I found was lacking the calligraphy. Of course, the collector who gifted me this pot was quite clear about it being Yixing as well.
For those just tuning in, there is a long history of Japanese tea heads collecting Yixing pottery starting in the mid 1800s, beginning with basic shapes like Shui Pin and then moving into custom order pots like this lower model - a better fit for sencha.
Jan 25th, '12, 10:57
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by gasninja » Jan 25th, '12, 10:57
brandon wrote:
Put this ugly duck back into service in this chilly winter.
Clay: Duanni (yao bian)
Volume: somewhere around 130ml.
Walls: extremely thick
Pairing: Wuyi Yancha (high oxidation zhong huo)
My usual Duanni hating does not apply to this yao bian teapot. The clay here behaves like much denser clays, due to the over-firing. The clay combined with the very thick walls can hold a high temp for several minutes.
I'll reach for this one when I'm feeling rough and rocky.
cool looking pot.
It looks diiferent than most duanni. Do you have any other pics?
Jan 25th, '12, 11:05
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by brandon » Jan 25th, '12, 11:05
gasninja wrote:
cool looking pot.
It looks diiferent than most duanni. Do you have any other pics?
Yao bian means something like "kiln color change."
When wood fired Dragon Kiln was the norm for Yixing, temperature control was not as precise as it is today and clays could be over or under fired. Overfired can cause interesting results to the color of the body, like this pot.
Was zhuni, but turned "pig's liver" color.
Nowadays using gas kilns, temperature control is no problem, but sometimes people will use yao bian for artistic effect. The duanni pot above has a lot in common with Bizen ware.
Here is the reverse side of the duanni pot.
(
http://farm4.staticflickr.com/3449/3296 ... a8f609.jpg)
Jan 25th, '12, 11:45
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by Tead Off » Jan 25th, '12, 11:45
brandon wrote:Tead Off wrote:
Brandon,
How can you tell this was made in Yixing for export?
Thanks for your interest. After feeling the clay, pouring hot water over it, seasoning it with some tea, and appreciating it next to other purple clay Yixing pots, I found the origin of this pot to be quite clear. I've seen some other Yixing pots for sencha recently that bear the same shape and carving on the knob. The other I found was lacking the calligraphy. Of course, the collector who gifted me this pot was quite clear about it being Yixing as well.
For those just tuning in, there is a long history of Japanese tea heads collecting Yixing pottery starting in the mid 1800s, beginning with basic shapes like Shui Pin and then moving into custom order pots like this lower model - a better fit for sencha.
The reason I ask is because it looks suspiciously like a hobin made with Banko clay. I have seen this shape and style several times and the markings on the knob. Is there a signature anywhere on the pot? I'm aware of the history of Japanese buying Yixing but did the Yixing potters use Japanese style chops in signing the work or the usual chops you see on yixing teapots? I would think Chinese made teapots for the Japanese market would still use Chinese stamps. Just a thought.
Jan 25th, '12, 11:54
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by brandon » Jan 25th, '12, 11:54
Good questions TO - there is no markings on the pot other than what you see on the lid. I do not have much experience with purple banko, but I have a lot with zisha clay. This pot, for me, does not have as much redness to it as banko I have seen, and is a dead ringer for Zi Ni clay. If you have related art available I would like to take a look - the second "Yixing houhin" I found recently for corroboration was an auction that has expired and been taken down.
PS. If there is a lot of Banko like this, I'd take another! Haven't been impressed with their modern wares.
I don't think this is a wheel thrown piece, either. I will post interior later.
Jan 25th, '12, 12:18
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by Drax » Jan 25th, '12, 12:18
I'm curious on the characters that are on the lid of that piece... I'm terrible at reading the 'cursive' style, but the character closest to the camera looks like the one for 'stone' (石)... any idea what the others are?
Jan 25th, '12, 12:48
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by TIM » Jan 25th, '12, 12:48
brandon wrote:
Put this ugly duck back into service in this chilly winter.
A Kiln Color Change late Qing Dynasty Yixing.
Me and Brandon share the same passion about real 'Kiln Change' yixing.
One of my favorite antique Yixing, dedicated only for 50 years + sheung puerh.
350ml by a famous Qing era yixing studio Qing De Tang 清德堂.
http://themandarinstea.blogspot.com/200 ... incer.html
Jan 25th, '12, 18:00
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by tingjunkie » Jan 25th, '12, 18:00
Nice shiboridashi(SP?) Brandon! You'll have to let me know where you found that.
TIM, as ususal, your pots are junk.

...

Just think of me the next time you get the urge to use that one. At 350ml, you need friends to help you drink all that 50 year old puerh!
Jan 26th, '12, 00:07
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by Tead Off » Jan 26th, '12, 00:07
Jan 27th, '12, 07:13
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by brandon » Jan 27th, '12, 07:13
Hi TO, that is a nice Banko.

Here you can see very well the joinery of the bottom slab to the main body slab, and also, close to the bottom, the joining of the body slab onto itself. The join goes all the way to the top, but you can only see it when light is at a perfect angle, and was difficult to photograph. You can feel it easily.

Here the bottom slab joins the body on the outside. This pot is less than 4 cm tall, and does not have too much in common with your pot. Your Banko looks to have much better function.
Jan 27th, '12, 07:30
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by Tead Off » Jan 27th, '12, 07:30
Mine has some age, not new. Looking at your photos, yours doesn't look like Banko. A single hole is also unusual plus the construction looks slab built. I can't find anything about it that looks Chinese, though. But, you have the advantage of having it in hand and can examine the clay. Unusual houhin.
I'll post some photos in this thread of what is also supposed to be a Yixing export to Japan.
Jan 29th, '12, 17:49
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by the_economist » Jan 29th, '12, 17:49
Feb 3rd, '12, 14:06
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by chicagopotter » Feb 3rd, '12, 14:06
brandon wrote:
Put this ugly duck back into service in this chilly winter.
Clay: Duanni (yao bian)
Volume: somewhere around 130ml.
Walls: extremely thick
Pairing: Wuyi Yancha (high oxidation zhong huo)
My usual Duanni hating does not apply to this yao bian teapot. The clay here behaves like much denser clays, due to the over-firing. The clay combined with the very thick walls can hold a high temp for several minutes.
I'll reach for this one when I'm feeling rough and rocky.
Where did you find such a beautiful teapot?
Feb 4th, '12, 21:16
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Location: Malaysia
by ArNg » Feb 4th, '12, 21:16
Clay:Zisha
Year:Modern
Pour:12sec +/-
Capacity:100ml
Very good lid fit and adorable looking pot. I was looking for a smaller pot for shou pu and that's the reason I got it. Brewed a session and it pairs very well with shou pu.
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- Comparing it to a size of a golf ball.
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