Hi,
I was thinking to myself about how most raku are glazed, regardless of color glaze. You see both quite often but i'm wondering what the reason for it is, and whether or not people like just one type or both or just don't care.
I'm quite in for the fully glazed ones, but to each his own. Whats your pick?
Raku glazing
- Attachments
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- Fully glazed
- E873_09d.jpg (34.86 KiB) Viewed 1436 times
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- Open koudai
- E873_09.jpg (45.55 KiB) Viewed 1436 times
Oct 29th, '15, 11:28
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Joined: Jul 10th, '13, 01:38
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Location: Japan.
Re: Raku glazing
I personally prefer the kodai to be fully glazed on raku pieces, especially on kuro ones. 

Re: Raku glazing
I have 2 raku bowls that are unglazed on the kodai. I don't see any traces of clear glazing. Both are within 100 years of age. Could the clear glazing have eroded over time?Fuut wrote:Hi,
I was thinking to myself about how most raku are glazed, regardless of color glaze. You see both quite often but i'm wondering what the reason for it is, and whether or not people like just one type or both or just don't care.
I'm quite in for the fully glazed ones, but to each his own. Whats your pick?
Re: Raku glazing
I've voted "unglazed".
In general to me glazed raku (especially black) look somehow "purer", more abstract while in the unglazed chaps the earthy bottom has a humbler feeling, more down to earth...
My raku chawan are for the most part glazed, however. but I tend to use the unglazed more
I don't usually care about the red ones, not my bowl of tea...
In general to me glazed raku (especially black) look somehow "purer", more abstract while in the unglazed chaps the earthy bottom has a humbler feeling, more down to earth...
My raku chawan are for the most part glazed, however. but I tend to use the unglazed more
I don't usually care about the red ones, not my bowl of tea...
Re: Raku glazing
I don't have any preference

No ... or while not totally i thinkTead Off wrote:Could the clear glazing have eroded over time?
Re: Raku glazing
That would mean that there are actually 3 Kodai glazing choices with Raku:Tsubo wrote:I don't have any preference
No ... or while not totally i thinkTead Off wrote:Could the clear glazing have eroded over time?
Glazed
Clear glazed
Unglazed
Re: Raku glazing
for what is worth, I've checked my raku archive (I've been hoarding raku pics since years...) and it seems that old raku with open kodai haven't got that transparent glaze: the only transparent glaze you see is the one on decorated raku, obtained by scraping off the black glaze.Tead Off wrote:That would mean that there are actually 3 Kodai glazing choices with Raku:Tsubo wrote:I don't have any preference
No ... or while not totally i thinkTead Off wrote:Could the clear glazing have eroded over time?
Glazed
Clear glazed
Unglazed
so maybe it's a recent (XX cent.) feature...
Re: Raku glazing
I guess I found an explanation to the shiny transparent glaze:
see here:
http://www.raku-yaki.or.jp/e/museum/col ... on_14.html
A glazing known as “jakatsuyû”, jakatsu glaze, a silica-based white glaze being applied together with a black glaze to create a glaze effect in which the misty white tone emerging on the edge of the flowing black glaze, was already introduced by Dônyû III. Here Seinyû with his research on glazing developed this glazing effect further to achieve a crystallized white. “Araiso”, stormy coast, derives from this glaze texture.
could a tiny layer of this glaze be what is sometimes found on the kodai?
see here:
http://www.raku-yaki.or.jp/e/museum/col ... on_14.html
A glazing known as “jakatsuyû”, jakatsu glaze, a silica-based white glaze being applied together with a black glaze to create a glaze effect in which the misty white tone emerging on the edge of the flowing black glaze, was already introduced by Dônyû III. Here Seinyû with his research on glazing developed this glazing effect further to achieve a crystallized white. “Araiso”, stormy coast, derives from this glaze texture.
could a tiny layer of this glaze be what is sometimes found on the kodai?